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Dhub and The Backseat Drivers - Dhubbly


01. Sweet Delicacies feat. Ang Alamat ng Tungkod
02. Mellow Dramatic
03. Jane
04. Modal Soul (Ode to Nujabes)
05. Life As We Know It feat. Beef
06. The Twenty third
07. Rule of 2-3
08. Love Lost Last
09. Synchopated Waltz and Broken Drum Lines
10. Surviving The Matrix 101 feat. Oddjekt
11. Waters of Men feat. Six The Northstar
12. Old Habits


Brought to you by:  Moonbase Studios SSS Records Pain n' Ink Tattoo
 
  CREDITS
Produced by Kruger Monares
All tracks are mixed and mastered by K. Monares @ Moonbase Studios except for Tungkod's vox, recorded in KB.  
Thank Yous: 
His majesty for reigning me with the blessed fruit of music. My family and friends for giving me the unconditional love. Jane and Dylan for the countless inspirations. To all the artist and musician who joined with me in this journey to life! Madamo nga salamat sa inyu nga tanan.

























































INNER CATHEDRALS - tiano


TRACKS

Orbits (Green Remix)
Planet Phulla Phunk
Venus in Blue (Remix)
Inner Cathedrals
9
An Alien's Sojourn
The Solar Dance
The Walk


All tracks written, recorded, arranged, mixed, and produced by TIANO.

Remastered by the Roadside Bums for StickySweetSounds

SSS RECORDS 2011

For other info please refer to the record sleeve below.
(please click on the pic to enlarge)
 
Tiano is the frontman (multi-instrumentalist)
of Sugar City's premiere urban jazz/funk collective
Nancy Brew and the dude behind the electro-jazz outfit 

"Lag Talk E.P." - HARDWATER



TRACKS

1.  I.F.U.B.O.Y.A.YA.O. (ft. Xeff)
(Words by Max Cordero, Joseph Aquio II)
(Music by Beastie Boys*)

2.  What's Mine Not Mine Anymore (ft. Che)
(Words by Max Cordero, Edgar Allan Chia)
(Music by Light$leep3r**)

(Additional Remix by The Roadside Bums)

3.  At the End
(Words by Max Cordero)
(Music by Tiano***)

4.  Whats Ur Name
(Words by Max Cordero)
(Music by The Bottles****)

5.  Alternate Ending (What's Mine Not Mine Anymore) - ft Che & Six the Northstar
(Words by Edgar Chia, Max Cordero, Six Gantioqui)



CREDITS

* Sabrosa performed by The Beastie Boys
** 4L performed by Light$leep3r
*** Venus in Blue performed by Tiano.
**** The Bottles are: 
Bong (turntables/breakbeats/electroscratcher/vox),
Jem (bass) and Pen (synths). 
This track was recorded on a 4 track cassette in 1993
at the Beaten Black and Blue Studio, Brgy. Sum-ag, Bacolod City.

All tracks remastered by The Roadside Bums 
for StickySweetSounds 2011


Acknowledgements:

Hunab Ku, Starman, Midnight Suns, Cluster Paul, Cluster Shun, The Power Napperz, TWC Firebirds,
Xeff, Che, Six the Northstar, Cholo, Ivan, The Roadside Bums, Light$leep3r, Tiano, Beastie Boys, Fliptop, Killer Bee 106.3 Bacolod, Giz Roque-Palma, Carlos D. Jackal, Ophiuchus, 
COE, CEO, Wawa Foronda, FC Team, SDBL, Lopez S. Here, Kelie Ko, Godo's Online Shop, VCF, Sony, CD-R King, WWN, Katumbal, Audacity, StickySweetSounds and all the sleeping third eyes.


Lag Talk is a Hardwater Jams With Production

(c) 2011 Cold Fusion Lagi! Music


Cover Art:
"Slumber" (oil on wood)
 by Belray Sian



Also available
from
Hardwater

THE PROPHECY EP

PROMISED LAND (Album)




SinSSS – Various Artists


  SinSSS (track no./song title/artist)

    1.  Born 2 Sin - FoodShelterAndClothing
    2. Somewhat Happy – Glitter Assassin
    3. Black Ants on My Cigarette – L1nt3ch
    4. Overshadow – Glitterbyte
    5. Time and Sequence – Zakada
    6. The Booty Call – Emorej
    7. All Good – Wallster
    8. So Strong – The Basement Project
    9. Jasmine Omega – Ex Decadent
    10. No More Guitar Heroes – Never Forget the Cause
    11. Radio Grind – FucktheFuckingFuckers
    12. Raped Afterbirth – Nekroholocaust
    13. What’s Mine Not Mine (4L) – Hardwater + Light$leep3r
    14. One Alien’s Soujourn – Tiano

    Bonus SinSSS

    15. Divebomb (Cluster Bum Remix) – Falstaff Hero
    1. Marry Me Jane (Ras $leep3r Mix) – Gadfly
    2. Sarsuela de Kamao – El Kiko’s Way
    3. Leader – Dezmi-graena
    4. The Deadworks – The Ministry of Truth
    5. Pls. Use Rear Exit (doihave2) – Light$leep3r feat. Bum Baby

    All words and music by each respective artist.

    This compilation produced, remastered, and sequenced by
    P and C SSS Records 2011.


    SSS would like to thank all the artists involved who shared their music to make this album another milestone for independent Filipino music. May your spirit and creativity continue to soar to new heights as we move towards a better, if not the best recognition and acknowledgment of the Pinoy musician around the globe. And to our avid listeners, those who continue to give their support, by downloading and sharing the music, which is the main reason why we provide it for FREE…our sincerest thanks to you, it certainly means the world to uSSS.




     


    COMING SOON ON SSS




    The Very Breast of FoodShelterAndClothing




    “FoodShelterAndClothing are prolific!
    Finally, the boys from Bacolod are curating an exhibit of their classics and all time favorites
    for fans and first timers wanting a taste of their demented sweetness.”

    Writer/Blogger/Philippine Goth Icon

    "I heard Cybersong during the 90's and i was surprised to hear that a band from Bacolod did this?!
    I was totally blown away and became an instant and forever be a fan of fs&c.
    Thanks for the influence mates."

    Keyboardist, Tanya Markova


    "They're best thing that ever happened to music since groupies!"

    Hip hop artist/ producer/ AMPON member

    "If you've never heard of Bacolod City's b(r)e(a)st-kept secret (not the chicken dish, though that is equally awesome), then you must be living under a rock. FoodShelterAndClothing has outlasted every self-proclaimed indie band out there. They may not have sold as many records as the Eraserheads, but they have been as influential if not more to many bands who have chosen the road-less-taken DIY way. Their innovative and makeshift recording techniques have earned them the admiration of other musicians who utilize home recording to keep their music free from major label fluff. They have transcended genres, but still maintain the classic spirit of rock and roll, which is all about giving the established status quo and trend the musical equivalent of a raised middle finger. This compilation marks their years of continuing achievement, when other underrated Filipino bands have all but broken and given up. These guys deserve to be the called the heavyweights of the Pinoy indie scene solely by sheer longevity and for being the most prolific even with the least of resources. (I'm sure Bong will crack a joke about his, um, weight.)"

    electronic musician/producer, CERUMENTRIC

    If you were stranded in an island with little shelter, no food, and clothing is sparse then this is the album that I wouldn't want to part with as it embraced all genres of music giving it fsc's twist and personality taking the music to a higher definition on the realities of life that people just refuse to accept. The songs in its entirety gives sanity to a demented perspective with the moving lyrics of PABRIKA, DRUGSTAR, THE PHARMACY, and OKAY.

    If you seek something commercially glamorous or some sense of eargasmic fantasy then maybe...you would consider their raw and deep sensibility as far all stages of music are combined.

    Dare to believe in the honesty of their music and those beats that pump like a churning machine. It's not all about the drums and the bass but in the power and raw manifesto that they have to release this.

    The very breast, the heart that beats indeed!


    music correspondent/blogger/events producer, Skyray is Love


    What? Another compilation? Haha.

    I came to know FoodShelterAndClothing through the local compilation 8 Track that I, as names are for tombstones, was also a part of. We were the only electronic acts in the compilation and I was happy to discover another project sharing a similar background and taste in music.

    I want to believe they are a bunch of cool dudes (LOL!) since I have not met them yet. But exchanges through the years have indicated so (them being cool and fun loving guys) and we have collaborated a couple of times already through their remix/cover of NAFT's song Watari's Machine and my remix/rearrangement of their song Meet The Dead.

    Looking forward to hearing and working more with these prolific and resilient (since late 80's!) guys.



    Noel Acosta
    electronic musician/ producer, Names Are For Tombstones




    Side One:
    1.     Okay (Another Mix) +
    2.     The Pharmacy (Prescription Mix) +
    3.     FoodNotBombs (Carlin’s World)
    4.     Bum Baby (Nite Version) +
    5.     Krafty (Brutal Mix) +
    6.     The Manifest (Full Length Version)
    7.     Meet The Dead (Zombiefied Mix) +
    8.     Tokers Now! Feat. Aero (Water Pipe Mix)
    9.     Communique (Outbox Mix)
    10. Drugstar (Pusherman’s Video Mix)
    11. Hate (Aggravated Assault Mix) +
    12. Pabrika (Industriyalisasyon) Feat. Elemento

    Side Two:
    13. Okay (Original ’05 Version)
    14. The Pharmacy (Original ‘05 Version)
    15. FoodNotBombs (A Safer World) +
    16. Bum Baby (Club Nowhere Mix) +
    17. Krafty (Blitz Mix)
    18. The Manifest (Demo Version)
    19. Tokers Now! Feat. Aero (Original Version)
    20. Meet The Dead (NAFT’s Reanimation Mix)
    21. Communique (Original Inbox Version)
    22. Drugstar (Original Version)
    23. Theme From Dungeons and Drugwhores
    24. Pornitude (Bitch House Mix) +





    (+) Previously unreleased track, exclusive to this album.
    All tracks produced and arranged by fs&c, except where indicated.
    All words and music by fs&c, except where indicated.
    This compilation remixed and remastered from the original .wav files
    by the roadside bums for stickysweetsounds.
    P and C SSS Records 2010

    Main credits:
    Bong – vocals, over-all programming, digi-drums/percussions, samples, keyboards
    Jem – bass, sequencer programming on trk. 1, 2, 13, 14, vocals on 3, 7, 15, 20
    Chris – guitar on 21, 22
    Roland – lead guitar on 6
    Aero – rap on 8, 19
    Elemento – spoken word sampled from their original track, “Industriyalisasyon”
    NAFT – remix and additional music on 20

    Extra credits:
    Track 3 contains a spoken word sample from George Carlin (R.I.P.)
    Track 4 contains samples from “Nite Runner” by Duran Duran and Timbaland
    Track 5 and 17, original words & music by New Order, with samples from their
    song “Crystal”. Coda lyrics on trk. 5 are from “Love Vigilantes”.
    Track 12, coda lyrics from 
    "Crushed by the Wheels of Industry" by Heaven 17
    Track 24 contains samples from “Spiritualized” by K Klass






    The Greatest Tits (2005-2010)

    This anthology chronicles our full-on foray into computer-based recording and production. For the luddites that we are, we only managed to start doing such back in 2005 (I finally got to own a workable desktop pc in late 2004). The same year when we were invited to play the Bacolod leg of the Fiestamundo.com (now defunct) concert series. Being reduced to a 2 man band, we crammed and began producing music (using a hardware sequencer patched to the pc’s soundcard via our trusty 4 track cassette recorder circa 1993, then mixed down to a mini-disc, remember those?) that became the backing tracks for our 15 minute set (as documented on the DVD “BADACIDFLICKS”). One of the songs, was the revamped version of our 1995 single, The Pharmacy which ended up on Fiestamundo's site.  We reckon, the original ’95 version was pretty much the definitive one, which can be true. But perhaps, this version made a decade later, is just as valid, and apparently a different specie altogether, with a certain menace and a sonic wallop that we thought was missing from the first version. I reckon, if the original was inspired by LSD and codeine, this version is more like a line of coke with a tab of E! The Pharmacy was also featured in one of the Overtune Project online compilation albums in 2006.  Also, in the same year, we were asked by Sleepyheads' frontman Erick Encinares to contribute a song for an album, the very limited edition "8 Track" CD (now a collectors item), which we did with the then newly re-recorded version of Okay. FYI, it was one of the earliest songs we put on tape (1993), and since the original cassette recording was deemed as unplayable by then, we decided, it’s worthy enough to be resuscitated and given the modern treatment it deserves.  As of this writing, Okay is still hovering Reverbnation.com’s alternative charts, which perhaps makes it our most “popular” shit online. Well, besides the porn we posts on our multiply site.



    Later on in 2006, I got an email asking us if we could produce a track for an online compilation which features a host of international indie acts of various genres to help give focus to the non-profit organization, Food Not Bombs (yeah, hence the song!). The album was released around 2007, dubbed as “Escape Into Oblivion”.
    It was also around this time, when we tried giving new life to some of our past tracks which we thought weren’t given much justice due to our lack of the right equipment back in the day, one of which was the supposedly “clubby vibe” of Bum Baby originally done back in 1995 which was then recorded using a crude guitar sampler. By the way, yes the song is about yours truly. You know what they say…write about what you know! Anyhow, making electronic dance music has always been one of our goals since day one, and having a computer at our disposal was a realization of that dream. Ergo, “the full-on 4 on the floor with blinding strobelights” version of Bum Baby included right here. Incidentally, both versions of Bum Baby and Krafty (Brutal Mix) were never officially released, thus are exclusive to this compilation. Whilst Krafty (Blitz Mix) was included in the SSS compilation, HolidaySSS.
    Speaking of Krafty, it was also around '07 when Lionel Valdellion (QED Records' head honcho) mentioned in one of his posts on his online label's site, that it'd be a good idea if he could release a New Order tribute album, featuring all Pinoy acts, particularly those on QED’s roster. Being such massive fans of the Mancunian lot, we immediately started working on Krafty, which for us was quite a fitting track, considering it’s the first single from the last New Order album. And I'd like to think that its title is an homage of sorts to one of their main influence, Kraftwerk, in which we're also huge fans of (duh!). Unfortunately, that planned tribute was shelved, maybe because we’re the only ones who actually went on and recorded a track?. Regardless of which, we're proud of this version, and we thought it was just right that we're actually able to do it, and not just on a live setting (note: we used to cover Dream Attack and Love Vigilantes during our days with The Bottles). Speaking of which, The Manifest was actually written with our former band in mind. To those familiar enough (man, you’re old!) with our ancient sound, it's actually the closest thing we can get to 1989 without the aid of a time machine. Fuck, we even employed the fretwork prowess of Roland (a veteran heavy metal axeman from Bacolod) to do all the scorching solos to make the nostalgia trip plausible. And to this day, if there is one song that truly represented our genre-bending musical roots, hands down, The Manifest is it! In fact it was so dear to us, it’s our only song which was released as a triple maxi-single with a countless number of versions, and remixes from various acts. Unfortunately, I don’t think a lot of people actually heard of it at all! But we’re not surprised really, considering that back in 2008, it was like the height of fuckin Emo and Hipster shit, and those pussies would rather weep and die on a dark corner with their skinny jeans on, than listen to a song that goes “We’re the suicide bombers, motherfuckers. Leading your daughters to the slaughter!”


    Now, if there is one song that came by accident on this compilation, it's Tokers Now! Recorded in under an hour, one lazy Saturday afternoon, while chillin’ with one of Sugar City's finest hip hop son Aero. Take note, it was actually the first time we met!!! Though I've heard from sources that he is one helluva freestyler, and apparently he proved that fact (his rap was a one take wonder yo!). We consider it as the sequel to our 1993 song, Tokers Inc.. Ah the mindboggling delights of beer and weed.
    Later that evening, right after Jem recorded his tracks for his FucktheFuckingFuckers' project. I saw in one of his notes the lyrics for Meet The Dead. I told him, I wrote an “ode to robots” which might suit his words, and it’ll be perfect as our Halloween single! By the way, the song has nothing to do with ghouls and ghosts, it’s about 'em poor "white collar zombies" (nee office/factory drones), that we all dread of becoming.
    As for Communique and Drugstar, both tracks we're recorded again in one afternoon, when our longtime guitarist Christian (who is based in Japan) came by for a visit. Apparently, the dude's chops are still tight enough to do such disparate songs in one session. Incidentally Communique (Inbox Mix) was featured in A Sound Relief (2009), an online benefit album for the victims of Typhoon Ondoy, as produced and compiled by Erik "Cerumentric" Fabian. Whilst the Outbox Mix, was included in the Digi-Love compilation series, produced and compiled by laptop muso Happyboy



    As for Drugstar, perhaps it’s one of our most popular track here in Sugar City based on the number of months (yes, months!) it stayed on Killer Bee FM’s Indie Charts. It’s quite amusing having a pro-drugs song being aired on mainstream radio!
    In early 2010, Happyboy asked if I could contribute a spoken word bit to a project he's working on. Using my damn cellphone as a voice recorder, and half a bottle of brandy, Hate was born! As honest as I want to have it on record, I left my stuttering and quivering voice in! it's one fucked up stream-of-consciousness bit! Now please don't ask me who the person is I'm referring to in it…I'll never tell! Trivia, this is the only Pinoy song I know in existence that contains the ancient and mystical Hispanic term of endearment, “Hijo de Puta” in the lyrics!
    Regarding Pabrika (Industriyalisasyon), you can read my comprehensive notes right HERE.
    Oh yeah, The Theme from Dungeons and Drugwhores, is actually the “b side” (bonus track) of the Drugstar maxi single.
    And Pornitude is partly a 2010 update of our 1996 “piano on meth” track Amphibian Ambition, from the album “A Series of Low Blows”, and also included in "Analogue Whores". And parts of it are outtakes from the Pabrika sessions. Its just a little attempt to go back to our jazz roots…with an imaginary porn flick soundtrack in mind!



    Now, you might be wondrin’ how much lazier one can get having only these handful of tracks released over the past 5 years? On the contrary,  it’s the busiest time of our entire musical existence ever! All throughout that time period, we did the FFF project, and our collaboration with Las Vegas-based Drum n Bass artist Trihexy, dubbed as StripStrip. While on a personal level, as The Roadside Bums, I was doing loads of remastering and remixing work for almost all SSS releases
    (and managing the label too!), as well as doing post-production work for the entire FS&C back catalogue which were subsequently released online. I also did some songwriting and production stints for Joyce Agacer, The Colloidal Mixtures, Light$leep3r, Moaner Lisa, El Kiko's Way, Hardwater (a full-length endeavor called The Prophecy), The Ministry of Truth and most recently, doing  post-production duties for L1nt3ch. I also still have pending collaborations with Dhubbly and Cycosis. And don’t forget, I even had the time to do The PodCraSSSh! I guess, we’re too lazy to do anything else but music! Hell, I can’t wait for 2011 to do more of the same shit! Which reminds me,  I have to sincerely thank all the lovely peeps mentioned here, for letting me mess with their ouvres, and also to everyone who gave us the opportunity to let us do what we always wanted to do. Y’all been such a blessing and an inspiration.
    Finally, to those who are familiar with our most recent compilation, Analogue Whores, perhaps now the circle is complete…we proudly present to you…Digital Pimps!

    Bum Baby


    HAPPY HOLIDAYSSS AND HAPPY 2011! 

    COMING OUT ON FEB. 2011

    Meet The Dead E.P. - FoodShelterAndClothing




    Please click the picture above to enlarge








    Halloween TreatSSS!
    (FREE DOWNLOADS)

    The electro-industrial mayhem of L1nT3ch

    Bone-crushing alt-metal of Dezmigraena


    A Ramones homage by Katumbal


    Laptop jazz and worldbeats by The Ministry of Truth



    Happy Halloween from StickySweetSounds!